benefactor's
generosity and belief both in historic preservation and in our company,
that I wanted to create some sort of perpetual memorial. I knew that
the Quakers did not emphasize any individual's notoriety. Instead,
they focus on how God speaks to us through each individual and the
talents God gives them. On the front page is a photograph of an
anamorphic projection of the benefactors. I had the scripture inscribed
around the image and baked onto stainless steel. We installed the
plaque in a corner which is perpendicular to the wall first receiving
light at the spring solstice. A viewing hole was drilled through the
two-foot-thick stone wall allowing the light to pass through onto
the image.
The anamorphic projection challenges viewers
to understand that what is not quickly evident in a photo or in all
of life, begins to make sense when we take the time to study it from
every angle. This is my quiet, perpetual tribute to the benefactor
and to the Quakers who maintain that the Almighty God is near to us
and we can be near to Him if we are still and listen for His voice
speaking to our hearts. It is during these quiet moments that God's
purposes for our lives can come into focus. |
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The
living Memorial, an original creation of artist Brian Tolle, is
a replica of a parcel of Irish farmland replete with a famine cottage,
stonewalls, native Irish plantings and "lazy beds" (potato
furrows). Thomas Slack, formerly of Attymass Parish, County Mayo,
Ireland, was born and raised in the cottage and donated both the
cottage and the stone walls for use in the project. Stone by stone,
the cottage and walls are being painstakingly reconstructed, working
from photographs that were taken before the cottage was dismantled
and shipped to America. Materials specialists in England searched
the world over and found St. Astier to be most appropriate for duplicating
the properties of the original limes and mortar of the cottage.
deGruchy Masonry is glad to be New England's exclusive supplier
for the St. Astier Lime used for such an important and symbolic
reconstruction in America.
In other news, deGruchy Masonry has been
enjoying the use of Virginia Lime Works' wood-fired lime putty to
re-plaster and re-point museums such as the John Henry Antes House
in Montgomery County, PA. Henry Antes was instrumental in the construction
of many of the Moravian settlement buildings in Bethlehem, PA, during
the middle 1700s. To learn more about the use of lime for masonry
restoration work and information about the upcoming American Lime
Conference 2002, visit www.valimeworks.com.
Thank you for reading our newsletter.
We are anxious to hear from
you and hope you will contact us if your church or historical society
has a need for intervention to save its historical masonry structures
from further deterioration. For expanded stories, additional information,
and photos, visit
www.degruchymasonry.com or call me at 215-536-4482.
Be sure to attend the American Lime
Conference 2002 in Virginia (Jan. 26-27) for a compilation of lectures
presented by some of the most respected authoritative specialists
in the world. Visit the St. Astier Network at Restoration 2002 in
Boston (March 21-23). See www.restorationandrenovation.com for more
information.
May your Christmas
this year and the New Year be exceptionally special for you and
yours.
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